Very topical, hoping to publish not long after the anniversary of the Capitol Riots. Offers multiple readings of a single event, and a variety of methodologies. Offers a strong balance between well-established paradigms for analyzing political contexts and recent theorizations of new/social media.

Henry A. Giroux is one of the most respected and well-known critical education scholars, social critics, and astute observers of popular culture in the modern world. For those who follow his considerably influential work in critical pedagogy and social criticism, this first-ever collection of his classic writings, augmented by a new essay, is a mus

Very topical, hoping to publish not long after the anniversary of the Capitol Riots. Offers multiple readings of a single event, and a variety of methodologies. Offers a strong balance between well-established paradigms for analyzing political contexts and recent theorizations of new/social media.

Henry A. Giroux is one of the most respected and well-known critical education scholars, social critics, and astute observers of popular culture in the modern world. For those who follow his considerably influential work in critical pedagogy and social criticism, this first-ever collection of his classic writings, augmented by a new essay, is a must-have volume that reveals his evolution as a scholar. In it, he takes on three major considerations central to pedagogy and schooling.The first section offers Giroux's most widely read theoretical critiques on the culture of positivism and technocratic rationality. He contends that by emphasizing the logic of science and rationality rather than taking a holistic worldview, these approaches fail to take account of connections among social, political, and historical forces or to consider the importance of such connections for the process of schooling.In the second section, Giroux expands the theoretical framework for conceptualizing and implementing his version of critical pedagogy. His theory of border pedagogy advocates a democratic public philosophy that embraces the notion of difference as part of a common struggle to extend the quality of public life. For Giroux, a student must function as a border-crosser, as a person moving in and out of physical, cultural, and social borders. He uses the popular medium of Hollywood film to show students how they might understand their own position as partly constructed within a dominant Eurocentric tradition and how power and authority relate to the wider society as well as to the classroom.In the last section, Giroux explores a number of contemporary traditions and issues, including modernism, postmodernism, and feminism, and discusses the matter of cultural difference in the classroom. Finally, in an essay written especially for this volume, Giroux analyzes the assault on education and teachers as public intellectuals that began in the Reagan-Bush era and continues today.

Incorporating post-modernism, cultural studies and literary theory, Aronowitz and Giroux argue that new theoretical formulations are necessary to analyze and transform educational institutions within the context of a post-modern world. In a world that is rapidly redefining relations between the centre and the margins and questioning the legitimacy of master narratives, this book discusses why it is no longer possible either to defend or analyze educational institutions according to conservative, liberal or radical theories dominated by a modernist faith in reason, science, universal truths and Euro-centric culture. The authors aim to provide an informed analysis of today's polemics surrounding the topic of education and society, and to present a conceptual framework for charting the future of directions educational theory and practice.

A collection of writings, reflections, and interviews from political philosopher and critical theorist Brad Evans, written between 2010 and 2017. Evans collaborates with and interviews Simon Critchley, Julian Reid, Adrian Parr, Henry Giroux, Grace Pollock, Tyler Pollard, and Victoria Harper in his considerations of our era of violence and confusion. Brad Evans has studied and written about the history of violence for years and has been collaborating with and interviewing the world’s greatest artists, humanists, and philosophers about the human propensity for violence.

In a searing takedown of the populist authoritarian vision of America, The Terror of the Unforeseen tackles the resurgence of fascism in the age of Donald Trump's presidency. Through the mendacious exchange of facts for "fake news," Henry A. Giroux examines the language of hatred that activates neoliberal fascism, complete with state-sanctioned racism, casino capitalism, and fear-mongering at federal and local levels. In this "age of disposability," Trump's rhetoric eschews reason and democratic principles in favor of impetuous politics rooted in bigotry, all to injuriously catastrophic effect. Through protests, strikes, and education, Giroux proposes an international social movement that joins together various modes of resistance to illuminate a democratic renewal, and proves himself once again as one of the great public intellectuals of our time.